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Camera Flash

Photography Lighting - The Basics About Using Flashes
Though flashes are only one kind of several photography lights, they are also one of the most important. Nearly all cameras these days have a built in flash and most professional photographers use a flash regularly for their work. Just like cameras, flashes vary significantly in their construction, functionality and accessories. Here’s a breakdown on how to get the most out of your flash.
Studio Flash
These are the flashes you commonly see on fashion shoots. They're held in place by light stands and need an external power source but are more powerful than in-camera flashes. Studio flashes are super useful photography lights. They can be easily moved around and have their output and duration adjusted so you have complete lighting control over your final image.
First of all, make sure that your flash is firing into a light umbrella or some other type of diffusing contraption. Direct flash is rarely flattering and will overpower your images, so it’s better to pick up a couple of umbrellas and reflectors and use them to “bounce” light onto your subjects. With studio flashes they usually have a "modeling" light that will let you see the result from your setup so you should be able to map out your light pretty well.
And, if you can, keep your subject away from the backdrop so you'll avoid sharp shadows in your image. You have probably seen pictures where you see a "person shaped" shadow on the wall because the picture was taken with the flash directly center. Lastly, you should use more than one light source. The more photography lights that you have, the more flexible your light becomes.
Camera Flash
Many cameras are built right into the camera and work on an automated basis. While this is certainly excellent in terms of convenience and cost, automatic flash is often responsible for terrible photographs. However, there are some situations in which the light you need simply isn’t present and studio photography lights are out of the question (think weddings).
Just as with a studio flash, you’re going to want to bounce your flash to make it less harsh if at all possible. Though this may sound weird, think of the many things around you that can work as impromptu light reflectors – tablecloths, walls, ceilings, and menus will all work nicely. Additionally, never rely on flash as the only light source. Flash looks best when used to augment the light you already have (like using natural light), so whenever possible try to only use it to fill in the dark spots. Finally, remember that flashes have an effective range – if your subject is too far away the photo will be underexposed.
Flash photography is a complex subject and requires many years of practice to completely master. If you wish to take your photography to the next level and feel that you have a solid grasp on your camera and it’s basic functionality, consider adding some photography lights to your arsenal. With the right setup and knowledge, every photograph can be a masterpiece.
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